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No Longer Endless by Hatty Nestor
Where are we rooted? Familiarity with land is something we are all attuned to, even if its hold on us is subtle. Whether materials are from local sites situated in the urban They are woven as common threads.
~
How do you return from a place, and make people understand what you witnessed?
We are chatting on the phone and Jen relays the experience of witnessing the sun set and the moon rise in tandem in the Atacama Desert in Chile, a phenomenon known as an analemma, an elliptical orbit. I imagine how she might have felt the stillness of this, the fleeting atmospheric conditions, and the task of bringing something back from it to tell a story, materially. The desert, so intrinsically opposed to the concrete underbelly of London where Jen works, can be traced in her art. To Remain is partly made from bio-resin harvested from the Algarrobo trees she encountered in the desert: testament to the localised knowledge of the Licanantay people who have lived there…
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Press Release
No Longer Endless by Hatty Nestor
Where are we rooted? Familiarity with land is something we are all attuned to, even if its hold on us is subtle. Whether materials are from local sites situated in the urban They are woven as common threads.
~
How do you return from a place, and make people understand what you witnessed?
We are chatting on the phone and Jen relays the experience of witnessing the sun set and the moon rise in tandem in the Atacama Desert in Chile, a phenomenon known as an analemma, an elliptical orbit. I imagine how she might have felt the stillness of this, the fleeting atmospheric conditions, and the task of bringing something back from it to tell a story, materially. The desert, so intrinsically opposed to the concrete underbelly of London where Jen works, can be traced in her art. To Remain is partly made from bio-resin harvested from the Algarrobo trees she encountered in the desert: testament to the localised knowledge of the Licanantay people who have lived there…
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